I spend a lot of time drawing from old embroideries in my sketchbooks.
I love the combination of embroidery, crochet and lace making on this tablecloth(?). This was part of an exhibition of traditonal handwork at L'augille on fait in Paris a couple of years ago.
If you haven't seen the amazing Muhu Island book have a look at some of the pictures from it on the Loop blog. Every page is awesome!
This is just a quick post to show off my knitting in the Battle Bird colourway that I dyed the other day.
Knit up, it reminds me of pencil doodles and old red rubbers and I wanted to make a background to express some of that.
I think maybe, this only resonates with me. No one is ever going to look at these socks and wish they had a painting to compliment them.
But to me, it's like scratching a itch.
Ahhh!
China has a population of a billion people. One billion. That means even if you're a one in a million kind of guy, there are still a thousand others exactly like you. ~ A. Whitney Brown
I'm back in London. Back in the hubub and the stink. But I'm making good use of it. After my summer of Project Runway veiwings, I can't wait to start sewing some fabulous clothes and I've been looking around for inspriration. I have all of my September issues and I've even visited a few fancy shops to check out my faves.
As always, I love the clothes at Future Classics. I think this is the perfect dress:
Funky, vintage-looking, flattering and fresh. It is draped ingeneously and the silk crepe de chine with dirty-dip-dyed hem is to die for.
However, the price at £761, is far beyond me!
I'm also loving Future Classics tailored jackets. I'm determined to wear the new shoulder. My son says it makes me look like I have muscles.
It's also supposed to make your waist look smaller. We can dream, can't we!
I like a bit of military influence in a jacket too. Especially the front cut away and the all the vertical braid detailing like in this jacket by Bird Juicy Couture.
Or this Twenty8Twelve jacket:
It has some great lacing and flap details in the back:
Although, I think it needs more shoulder. How quickly my eye has readjusted to the pad! Or rather not the pad, but the height, as the new shoulders are not so much padded as cut and interfaced or boned into their shapes. Fun pattern cutting stuff.
As soon as I've unpacked and decluttered my studio, I'll be off and drafting. Stay tuned.
This is the third post in my month of dressmaking series. I wanted to discuss choosing a pattern that is appropriate for your shape and wardrobe. But when I started to do this I realized that I only really knew what worked for my top heavy figure. However, I'll share that with you and point out some other places to look for ideas.
I'm not a big believer in Trinny and Susannah style fascism. I think everyone comes out of this show looking like identi-kits. It's much more important to enjoy what you're wearing than displaying your cleavage to maximum potential. Please take anything I say with a pinch of salt and wear what makes you happy. Because this Japanese style of clothing is layered it can look good on all sizes but it's also very loose which can put you into the tent category.
The following pictures come from Pomadour's eBay site. She sells all these Japanese books, including two pattern books with multi-sizing. The covers follow.
The first book is designed for a larger size than usual (Bust 96 cm, Waist 88 cm, and Hip 108 cm, a pear shaped UK size 16-18, American size 14-16, European size 46-48) and shows everything modeled on a shorter, heavier model.
Most of the designs are pretty similar to the other books but there are a few scary ones like this.
A tunic with a draw string across the hips and ankle strap sandals is brave territory if you're not tall!
The next book is interesting because it shows the same styles modeled on a variety of figures with slight variations in length. Their biggest model is still not very big by European or American standards (that's her on the right, about a UK size 14-16).
But I like the look of this book because it shows how making small adjustments like changing the length can flatter (or otherwise) different figures. Take a look at the pictures below and on Pomadour's eBay site to see what I mean.
Personally, I think the girl on the right would do better with a shorter dress length, don't you?
For my own figure I need to avoid dresses like this:
which go out at the chest and carry on. My chest is my largest point and this really gives me a tent silhouette. Much better are dresses like this
which fit close over the chest and can taper in the bodice to the waist. I usually have to drop the waistline a few inches though as I'm long in the body. I also add bust darts, once again to avoid the tent effect. I'll be showing you how to make these pattern adjustments in the next few weeks.
I'm delighted to say that the Flickr group I started, for sewing women's clothing from Japanese pattern books, is growing and there are a good number of photos showing people modeling the designs.
If you feel these photos don't inspire you because many of the models are younger and thinner, check out Flickr's Women over 40 looking fabulous. This is a great inspiration to me.
There is a great article about sewing from Japanese patterns on this blog.
For all you knitters and crocheters, I've just joined Ravelry. What took me so long, eh? It's amazing!
My next post will be about choosing fabric for your patterns.
Hi Guys,
I'm back with a clean studio. I got older while I was gone, but I'm feeling some wisdom too, so it's not all bad. Now, to finally get on with a Month of Dressmaking!
My second post on this subject shows me wearing some of the designs I have already made from Japanese dressmaking books. These are all incredibly simple patterns to make. The shapes are easy to cut, fit and sew and the instructions are straight forward.
If you're in your twenties (or younger) and very thin, you can assume the clothes will look similar to the pictures in the books. If you're older, live in a different climate, taller or wider you will need to use your imagination a little.
I am a UK size 12-14, which is about a European 40, US 10-12, or size medium. I wear an F cup bra which is my biggest fitting problem and I'm 5'5 or 1.65m tall. I'm tempted to pepper my post with disparaging remarks about my looks, but I won't comment about how the designs translate for my age and size if you don't! You can make up your own mind about whether these are flattering styles for an older and bigger woman.
The first tunic is from Pochee volume 6 and has several variations of sleeve and trim included in the pattern. Here it is worn by a very cool looking model. I love the patch on her jeans.
Now here's me in a tartan cotton/wool blend. I've made it with no sleeves, one pocket and lace trim at the neck. I wear it a lot with various coloured skinny jeans, elastic-waist trousers, skirts and scarves.
During the winter I always wear a close fitting, colourful, long
sleeved undershirt as my base layer. In these photos I'm wearing a
chartreuse one but I pick them up in as many colours as I can find. I
also wear this tunic with purple or cream undershirts. Sometimes I pick
up on the lace edge and wear all tea-stained and antique colours.
The next piece is a coat dress with a two-part sleeve. The upper part of the sleeve is cut on the bias and the lower part has a tuck so that it flutes out. It can be made with just the shorter piece for sleeves...
or with no sleeves.
I have made it both ways.
In this first set of photos I am wearing the full sleeve version. I have given it three different buttons at the top front and then left it open at the skirt. The pattern doesn't include the button opening. The front and back bodice pieces are the same so you can choose whether to wear it with the centre slit in the back or front. I adjusted it to have a dart in the front bodice so the back and front are not the same and I wear the split in the front so you can see I have a waist. I made this version when I was a little heavier. I would make it smaller now.
Again, I wear it with an undershirt, jeans, trousers, skirt and scarves. In the photo on the left I'm wearing a cheap spot scarf I bought. I cut the fringed edge and sewed on some of my massive collection of vintage lace. In the photo on the right I am wearing a crocheted scarf/shawl/shrug thing (more about that later).
This next example shows the dress with just the shorter part of the sleeve. There are no buttons on the front here, it just pulls on over my head. On the left I'm wearing a crocheted flower at the neck. On the right I am wearing a crocheted collar with the flower as a closure. I'm also wearing a pair of trousers I made from a pattern from Lisette (page 34-35).
Here it is again with long sleeves and pockets but no front opening. This is a thick velvet Kenzo fabric so it doesn't drape as much, making me look bigger but it is warm and comfortable. The pockets are great; it's a favourite for when I'm teaching kids art classes and need a hundred places to keep things. The kids always ask whether I've made what I'm wearing. They act as if it is a magic trick- girls and boys!
Lace scarf on left is pieced from scraps of vintage lace in cream and ivory. I've made loads of these elastic waist trousers. They give you a pooh-bear bottom so I wouldn't wear them without a tunic on top but they are cut so that they make your legs look as if there is a gap between them like the Japanese girls.
Here's some pictures of me with bags as if you've spotted me walking down the street. I made the one on the left from a Japanese pattern.
I'll give you more detailed shots later, I just wanted to get started with some sense of the silhouette on my figure. I should probably post these to Flickr. I'd love to see how this style of clothes looks on other real people. (Later I did go on Flickr and start a group for pictures of women modelling the clothes they've made from Japanese patterns.)
Next time I'll be discussing selecting a pattern; what are flattering styles and substituting with commercial patterns.
What have I done?!!
I thought it would be a good idea to move my desk across my studio so that I could pick up the so-called wireless broadband connection better. Well, to move my desk I had to move all the furniture in it's path... and then I had to empty said furniture of its contents... and then I thought it would be a good idea to sort through those contents...and now I have to figure out what to do with all the stuff that is now everywhere, rendering my studio space unworkable!
What a mess!
So I didn't keep up with the February postings because I've left myself no room to sew or photograph. I promise to be running smoothly again by the first of March. Should have set that as the relaunch date in the first place.
However, I have got some pictures of wedding dresses to show you and I will address some of the questions that I've received about sewing your own clothes from Japanese books.
Last Spring, two of my good friends got married to their long term partners and I made them dresses. These are pictures of my friend Amanda and her now-husband, Hugh.
Amanda's dress was made with a red satin and a fuchsia chiffon over-layer. The hem hangs in asymmetrical squares that are embellished with tiny chiffon pom-pom beads. Any of these beads can be fastened up to several points on the seams, creating new shapes with the hem. The neckline and sleeves are in satin alone. She looked very beautiful and happy!
Sewing clothes with Japanese patterns:
Several of you wrote me saying that you used to sew clothing for yourself when you were younger and a more predictable shape. More recent attempts proved discouraging because you are no longer that shape. You must always try on the tissue and fit as you go along. You can expect a better fit in homemade clothes than store bought if you take the time to do this. I will be demonstrating this as I go along.
I also received queries about how difficult it is to follow Japanese instructions. The books that I have and will post about all have very simple shapes and the diagrams couldn't be easier. Again, I think you'll see what I mean when I post about it. I will also mention several books that you could get alongside the Japanese patterns books to lead you through the steps of dressmaking.
Another question that I worried about myself was the size of the patterns. The average Japanese women is much smaller than the average European woman. Will the patterns suit/fit you? I have always had to make a larger size than the largest pattern. I will be walking through the steps to enlarge the pattern and modeling the results. I am 5'5" and weigh lbs. I'll give you all my measurements so you can compare them to your own body shape and judge for yourself how they look. I'm not a young wisp but I think this kind of layered dressing can look good and be very wearable on many body shapes, ages and sizes.
Let me know if you have any more questions. I promise to be back in fully operational post mode by March 1st!
Welcome to the beginning of my new posts on monthly projects.
This month, February, I will be dressmaking in the studio. I could easily blog about dressmaking all year long but I'll calm down and complete a project this month.
I love to make my own clothes! I know sewing clothing seems anachronistic in these times of plentiful, cheap, ready-to-wear, but I believe there are still good reasons for making your own. I won't pretend that economy is one of them as my collection of fabric would mock me.
For this month's project I am going to work with a ready-made pattern. Albeit, in Japanese. Like many of you crafters I have a collection of Japanese craft books. I get mine from Pomadour at EBay. Look under the category for Clothing Pattern Books.
There are many to choose from. The Pochee magazines are particularly good.
I'll be back in a few days with more. I'm nursing a stomach flu today.
What's red and white? Pink.
I love Oilily clothes! I know I'm not alone here. After many years of desire I have finally located some amazing Oilily and the like fabrics.
Look at this Kenzo velvet!
And this Oilily velvet.
They are mine, all mine!
I have been playing with different ideas about what to make with them. Perhaps the 8th Avenue skirt from the last post with some red trim?
Or this long trouser skirt (skort?).
Or this version with red peak-a-boo pleats?
Want to know where to get fabric like this? Try this German site or Dots n' stripes here in the UK. In the States try, The Fabric Fairy, Bunte fabrics or Sew Euro.
I'm ever so busy with the sewing. I'll take some good pictures this week to show and tell.
Today's Inspiration: Kayla Kennington's website. It's not quite finished yet but check out this page for an example of the way she reworks one pattern in many different fabrics. I love her simple shapes.
Likes: Cotton flannel. I saw so many beautiful plaids in the fabric shops in Canada but didn't buy. Now I crave its coziness and can't get me none.
Why is duct tape like "The Force"? It has a light side and a dark side, and it holds the universe together.
I got back from Canada and hit the ground running. I've been very busy getting organized for the year ahead. (For me the year still runs from September to August, I think it always will.) I have lots of things to post about over the next few weeks.
My current obsession has been getting my wardrobe to work for me. I felt really shlumpy last year. I put weight back on and was less fit. My clothes didn't fit or co-ordinate in anyway. I was constantly enjoined in choruses of friends complaining that they have lots of clothes to wear but none of them fit. I'm know I'm not alone here.
I really enjoyed it back in May when Melody was rethinking her wardrobe (and here) on her blog. I don't know if she ever got round to making up the clothes though. We know where good intentions go.
I've been having a love affair with the kimono flea market I mentioned in my last post. Particularly the Haori pages. Haori are lightweight (usually silk) coats to be worn over kimonos. They aren't meant to close in the front. 
The silk is woven in panels of about 36 cm (14 inches) but there are about 10 metres length in a Haori because the silk always folds back on itself to provide a lining. There is also a contrasting silk lining that runs across the back (see below for an example).
One Haori provides more than enough fabric for a skirt, dress, jacket or blouse. The fabrics are beautiful and in excellent condition. So I've been unpicking the Haori's and cleaning the fabric and then re-cutting and sewing them into garments. Here is a dress I made from a silk chirimen (a kind of crepe) to wear over an underskirt.
This mannequin is thinner than me and she doesn't fill out the bust as nicely.
Anyway I've got lots more to tell you but that's enough to reintroduce my existence after my long break.
Today's inspiration: The Sewing Workshop patterns.
Likes: I'm looking forward to making this "8th Avenue skirt".
Never put off until tomorrow what can be put off until the day after tomorrow.
Mark Twain
Love these t-shirts from Heavy Tees. Link found via funky finds .
I know the whole graphic t-shirt thing is supposed to be over but who cares?... 15 year olds not 40 years olds, that's who. Rock on forty-somethings!
A whim of iron
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